Rated PG for some action violence, peril, and frightening images |
That said, many of the changes that they do make are commendable. When people teach writing, they emphasize the need for character development. I never thought that character development was a huge issue in the original 1991 film, but the writers saw some holes that could be filled. Many of them are welcome, like changing Maurice from a somewhat crazy inventor, to a more tragic character, a man clearly affected by the (off-screen) death of his wife and, as a result, very protective of Belle--all beautifully portrayed by Kevin Kline (The Hunchback of Notre Dame, A Fish Called Wanda). They even make LeFou (Josh Gad, Frozen, The Book of Mormon) a more sympathetic character by giving him more to do and even a moral quandary that isn't addressed in the original film. I also love the Beast's new solo number, "Evermore," which rivals even the stage musical's "If I Can't Love Her" in my book. When they try to give reasons why the townspeople are unaware of a castle in the woods or try to make the enchantress a more involved character, though, it is more unnecessary.
To build off of that, some changes seemed to function mainly as padding to stretch the runtime to two hours. For example, the new song "Days in the Sun" seemed a lesser and slower version of the animation's "Human Again" (which was added in the Special Edition), hinting at things that were never returned to, such as a glimpse of young Beast's past. In the end, the song felt unnecessary since what new information is revealed in it is revealed again through dialogue. There is also a scene where Belle and Beast are transported somewhere where more information is revealed. While the information in this scene is referenced to later in the film, it just seemed like five minutes that seemed, well, unnecessary--different for the sake of having a new sequence.
What keeps the movie afloat and thoroughly enjoyable, though, are the acting performances. It is a little off-putting at first, since Emma Watson (Harry Potter, Noah) and Dan Stevens's (Downton Abbey, Legion) interpretations are subtly but definitely different from their animated counterparts. While the animated Belle was different from her poor provincial town for her outgoing bookishness, Watson's Belle is entirely detached from her town and is more quietly different; I noticed more this time how Belle was different from her villagers, which I read was in large part due to Watson's influence. The Beast also is more witty and learned than his animated counterpart and also more tragic; his past is explained more, and Stevens portrays that well despite being rendered as a CGI character. Luke Evans (The Hobbit, Dracula Untold), though, steals the show as Gaston alongside Josh Gad's LeFou, especially in his showstopping number. The film is worth seeing at least once just to see him! The A-list stars portraying the transformed servants, such as Ian McKellen (Cogsworth), Ewan McGregor (Lumiere), Emma Thompson (Mrs. Potts), and Stanley Tucci (new character Maestro Cadenza), seemed mostly wasted. Though their voice acting is fine, some of them evidently came to set for the single shoot day for the end scene and mailed in their performances. For those who didn't, though, like the always lovely Thompson, it feels like they were wasted as a mildly off-putting CGI character (I didn't have too many gripes with the designs, but I know several of the people I saw the movie with did). It is the nature of the story, though, so I can't really knock it for that.
Belle is an inventor like her father, a welcome addition to the tale as old as time. |
Did you see Beauty and the Beast? What do you think of Disney's live-action trend? Whatever you have to say about me or the movies, comment below!
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